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The Sound of Silk: Why I Resurrect 100-Year-Old Kimonos

  • Writer: Hamanaka Akiko
    Hamanaka Akiko
  • Nov 19
  • 1 min read
Japanese Wasaishi master hand-stitching a silk kimono coat (和裁士による着物コートの手縫い作業)
100-year-old history. My mission is to save these treasures from being discarded.

Stack of vintage Oshima Tsumugi silk fabrics for upcycling (100年前のヴィンテージ紬の反物)
No machines. Every stitch is done by hand to let the silk breathe.

Title: The Sound of Silk: Why I Resurrect 100-Year-Old Kimonos

Can you imagine how much authentic silk is thrown away every single day in Japan? The amount is staggering. Among them are "Tsumugi" silks, hand-woven over 100 years ago. They are discarded simply because they don't fit modern lifestyles.


In Japan, we have a word: "Mottainai" (What a waste).

I am a professional Wasaishi (Japanese Hand-Tailoring Master). I cannot stand by and watch this history burn. My mission is to resurrect these discarded treasures into one-of-a-kind Duster Coats.


Why hand-sewn? Unlike machine sewing, my hand-stitching uses flexible silk threads that move with your body. The coat "breathes" and flexes. When you move, you hear the distinct kyu-kyu (rustling) sound—the proof of high-quality Japanese silk.


The Technical Challenge Traditional Kimono fabric rolls (Tanmono) are only about 37-40cm wide. This is too narrow for the arm length of modern global standards. This is where my skills as a Wasaishi are essential.

Using traditional techniques of "Hagi" (joining) and "Wari" (adjusting seam allowances), I reconstruct the narrow fabric to create ample sleeve length and a silhouette that fits the modern body perfectly.


I turn the "unwearable" into "wearable art." From Japan to the world, saving history one coat at a time.



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